Another informative post. And I loved the photos of Horsley. I think he was my favorite of all the '80s television hunks.
It was quite a shock but we must say that the pictures aren't bad either, very tasteful and she certainly rocks the camera - it doesn't hurt that her behind was shapely as can be. For the Betty White we know today these photos kind of rock! You may want to see the pics here.
She is the second black woman to win an Academy Award for acting. She reprised the role in Sister Act 2: Back in the Habitmaking her the highest-paid actress at the time. She has been the moderator of the talk show The View since
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However, upon examining the deeper meaning of the word— in essence, the posting of a photograph so that it can be admired constantly—we find that men actually have been pinups of a sort since the beginnings of photography. And today, with images of the Abercrombie guys hanging larger-than-life in the mall and peering at us from the ad pages of every popular consumer magazine, the male pinup is a fact of life. First, A History Lesson Academic nude photographs and ethnographic images generally of male models or specimens were posted for the use of the artist or for medical or sociological study almost as soon as photography was invented.
Good for you! Do you have something sexy and red to wear? Not so good for you, but I can help!
This R-rated, May-December romance story was directed by Clint Eastwood - it was his third directed film, and the first one that he also didn't star in. Besides being a story of an intergenerational, age-disparity love, it also contrasted the establishment with the counter-culture of the time. The film's tagline hinted:.
Tom Selleck is one of the hottest men in the history of film and television. The Detroit native took the eighties by storm, portraying the Hawaiian-shirt wearing, mustache sporting, Ferrari-driving U. Navy officer-turned private investigator in the Emmy Award-winning series Magnum, P.
By the time Rothman directed Terminal Island for Dimension Pictures, a company she formed with her husband and creative partner Charles S. Swartz, she was an experienced hand at the exploitation gambit, having made a number of movies for Roger Corman's outfits at AIP and New World. Films such as It's a Bikini WorldThe Student Nursesand The Velvet Vampire established her proficiency with the nuts and bolts of the exploitation formulas, while also exhibiting a noticeably feminist bent.