This is the House Malkinius listing of the Gorean slave positions. Unlike most people, I am trying to put them into a systematic and consistent format so that they can more easily be understood and practiced. Also, I feel that some of what has been presented over the years is just plain wrong and does not fit the quotations at all.
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Lovely, Rhiannon, slave of Master Gorm Runo, presented a magnificent class on slave positions. The class was held in the village of Tosar in the slave kennels. Rhiannon covered five of the most common slave positions.
Just as male slaves were beaten whipped, lashed, clubbed, etc. Masters and mistresses used such punishments to control and dehumanize their slaves. In essence, these slaves were brought to the level of animals; there was little regard for their anguish.
Slavery in ancient Rome played an important role in society and the economy. Besides manual labor, slaves performed many domestic services, and might be employed at highly skilled jobs and professions. Accountants and physicians were often slaves.
The belt dance was now moving to its climax and I turned to watch Phyllis Robertson. Under the torchlight Phyllis Robertson was now on her knees, the Warrior at her side, holding her behind the small of the back. Her head went farther back, as her hands moved on the arms of the Warrior, as though once to press him away, and then again to draw him closer, and her head then touched the furs, her body a cruel, helpless bow in his hands, and then, her head down, it seemed she struggled and her body straightened itself until she lay, save for her head and heels, on his hands clasped behind her back, her arms extended over her head to the fur behind her.
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Bara: The slave moves to lay face down upon the floor, face to the floor, head turned to the left, legs straight with ankles crossed and wrists crossed at the small of the back Bara, Kajira! She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed.
We had had trained into our bodies mysteries of movements of which even we, for the most part, were no longer aware, subtle signals of appetite, of passion and of obedience to a masculine touch, movements which excited the fierce jealousy, the hatred, of free women, particularly ignorant free women, who feared, and perhaps rightly, that their men might leave them for the purchase or capture of such a prize. Most slave girls, incidentally, fear free women greatly. Some of these movements are, in standing, as obvious as the turning of a hip; in reclining, as obvious as the partial extension of a leg, the pointing of toes. But many are more subtle, tiny, almost indiscernible movements, which yet, in their total effect, brand a female body as being incredibly sensuous, things like a way of glancing, a way of holding the head, subtle things like the almost invisible, sudden flexion of the diaphragm, the tiny fear movement of the shoulders, which signals that the girl, as she is, is helpless quarry.